. [31][37] "What Goes On" was later recorded for Rubber Soul. Through extensive, fully-documented research, these books fill an important gap left by all other Beatles books published to date and provide a unique view into the recordings of the world's most successful pop music act. 90 days after their EMI audition, the Beatles returned to EMI Studios, with their new drummer, Ringo Starr, to record their debut single in Studio 2. Numerous improvisations were also recorded during these sessions. Recorded 24 January 1969, at 3 Savile Row. This is the definitive guide to every recording session done by the Beatles at EMI's Abbey Road recording studio. A close friend and business manager for the legendary group portrays the personal lives of the members of the Beatles, from their youth in Liverpool to their rise to success in the world of pop music to the death of John Lennon in 1980. Stereo mixing: `I Me Mine' (remix 1, from take 16); `Across The Universe' (remix 3, from take 8). There was an old Steinway upright in the corner. In the end, only the latter was recorded, but the song remained unused until it was re-recorded during the Get Back / Let It Be sessions. John, Yoko, and their manager Allen Klein drove off to eat at a local restaurant called The Pepper Mill. John Lennon begins wearing 'granny' glasses. Biography of John Lennon told by his "best friend." Two trumpets, two trombones and a tenor saxophone were recorded onto track five by session musicians, as was McCartney’s descending piano motifs in between chorus and verses. The Beatles had blown out of Abbey Road Studio Two a long time ago; in fact the last time all four Beatles were there together was the 20th of August 1969. The Beatles stayed together for . Despite years and years of barbed answers and obviously pointed song, in an interview in 1975, John Lennon admitted that he and Paul actually did record after the Beatles split up in 1970. recordings. Last week we were overjoyed to learn that a new collection of unheard recordings by the Beatles will be hitting . All rights reserved. He looks pencil-thin, probably the result of his recent heroin use (among other drugs). When was the Beatles last recording session? His books include Tune In (which is the first volume in his historical trilogy The Beatles: All These Years) as well as the bestselling and influential Recording Sessions, The Complete Beatles Chronicle and (as co-author) The Beatles' London. (remix 1, from take 12) – unused remix, "The Night Before" (remix 2, from take 2) – unused remix, Production staff: George Martin (producer), Norman Smith (engineer), Phil McDonald (2nd engineer), "Dizzy Miss Lizzy" (from take 7) – released on, Musicians: John Lennon (rhythm guitar, organ, vocals), Paul McCartney (bass guitar, electric piano, vocals), George Harrison (lead guitar), Ringo Starr (drums, tambourine), Production staff: Norman Smith (engineer), Ron Pender (2nd engineer), Musicians: John Lennon (rhythm guitar, organ, vocals), Paul McCartney (acoustic guitar, bass guitar, vocals), George Harrison (lead guitar, vocals), Ringo Starr (bongos, drums, maracas), Musicians: John Lennon (acoustic guitar, vocals), Paul McCartney (bass guitar), George Harrison (tone pedal guitar), Ringo Starr (drums), "Yesterday" (remixes 1 and 2, from take 2) – remix 2 released on, Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (acoustic guitar, lead guitar), Ringo Starr (drums, vocals), Tony Gilbert and, "I've Just Seen a Face" (from take 6) – released on, "I'm Down" (from take 7) – released as the B-side to "Help! They likely performed in Studio 2, the studio in which they would record most of their music. An explosive tape recorded by the band has revealed the band were in the process of a follow-up album, but tensions between band members got in the way. "; included on, "It's Only Love" (from take 6) – released on, "Act Naturally" (from take 13) – released on, "Help!" Because of the low quality and age of the recordings, the songs are filled with a hiss but are still listenable. "I jammed with Paul," Lennon confirmed, "I did actually play with Paul. The album was edited and mixed on 25 February in Studio 1. The third book of this critically - acclaimed series, nominated for the 2019 Association for Recorded Sound Collections (ARSC) award for Excellence In Historical Recorded Sound, "The Beatles Recording Reference Manual: Volume 3: Sgt. Here is the Beatles story as it really was. Throw away what you think you know and start afresh. Actually, the bass sounds too well-played to be John, and according to https://www.guitarworld.com/blogs/song-facts-beatles-let-it-be-both-versions, it was George Martin’s idea to have Paul replace John’s poorly played bass part with his own and it was absolutely right for Paul to retrack John’s bass part, because a) he was the Beatles’ usual bassist and b) John absolutely did not like playing bass at all. (Producer), Glyn Johns (Engineer), Alan Parsons (2nd Engineer), "Get Back", "Teddy Boy", "Two of Us", "Dig a Pony", "I've Got a Feeling", "The Long and Winding Road", "Let It Be", "Rocker", "Save The Last Dance For Me", "Don't Let Me Down", "For You Blue", "The Walk", Production Staff: George Martin? Pepper's Lonely Hearts Club Band" (remixes 1 – 8 from take 10), "Getting Better" (takes 1 – 7, tape reduction take 7 into takes 8 – 12), Take 1 / Instrumental and Speech At the End - released with the, Production Staff: George Martin (Producer), Malcolm Addey/Ken Townsend (Engineer), Graham Kirkby (2nd Engineer), "Good Morning Good Morning" (SI onto take 10), George Coaching the Musicians - released with the, Take 1 / Indian Instruments - released with the, Take 1 / Instrumental - released with the, Take 6 / Instrumental - released with the, "She's Leaving Home" (tape reduction take 1 into takes 7 – 9, tape reduction take 6 into take 10, SI onto take 9), "She's Leaving Home" (remixes 1 – 6 from take 9), Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Ken Scott (2nd Engineer), "Getting Better" (tape reduction take 12 into takes 13 and 14, SI onto take 14), "Lovely Rita" (remixes 1 – 15 from take 11), "Lovely Rita" (of mono remixes 11 and 14), "Within You Without You" (SI onto take 1, tape reduction take 1 into take 2), "Within You Without You" (remix 1 from take 2), "Getting Better" (SI onto take 14, tape reduction take 14 into take 15, SI onto take 15), "Getting Better" (remixes 1 – 3 from take 15), Production Staff: Peter Vince (Producer and Engineer), Ken Scott (2nd Engineer), "Good Morning Good Morning" (SI onto take 10, tape reduction take 10 into take 11, SI onto take 11, unnumbered take), "Being For The Benefit Of Mr. He began using it rather than his original, as on the session for If I Needed Someone for Rubber Soul, the last Beatles track with electric 12, and on stage into '66. Today's Trending Stories. Created in cooperation with the surviving Beatles and Yoko Ono, this anthology of personal memorabilia, documents, photographs, and other items from personal archives chronicles the band's Liverpool origins, rise to fame, and breakup. (Ain’t She Sweet - Released on “Anthology 3). Visit the Beatles history section. The Last Session Finally, on January 3, 1970, Paul, George and Ringo got together for one last recording session at the Abbey Road Studio Two. Magical Mystery Tour is in the gray area — the Beatles released it as a 6-song U.K. EP, but it got padded into a U.S.-only 1967 album, so it's about as legit as Hey Jude.But it's been a long . What was 50 years ago on Monday was the last time the Beatles took to a stage to perform a concert. Three of the four Beatles -- Paul McCartney, George Harrison, and Ringo Starr -- gathered at London's Abbey Road studios to complete Harrison's tune "I Me Mine" for the group's Let It Be soundtrack. The audition, held on 6 June, also acted as their first EMI recording session. The Complete Beatles Recording Sessions: The Official Story of the Abbey Road years 1962-1970 . It includes the number of takes for each song; who contributed what; previously unpublished studio documents and interviews with many of the key recording personnel; and facsimile reproductions of Abbey Road recording . As a die-hard take no prisoners Beatle fan, this is a very valuable book. The A-side, "From Me to You", was edited and mixed on 14 March in Studio 2.[39]. "I've Got A Feeling"/"Help! The Beatles Last Photo Session. As work on this album began, Abbey Road Studios possessed, but had yet to install, an 8-track machine that had supposedly been sitting in a storage room for months. Chronicles the Beatles' use of instruments from 1956 through 1970, including photographs and discussion about Paul's 1963 Hofner 500/1 violin bass, John's Rickenbacker 325 12-string, and George's Gibson Les Paul. "Sausages and French Fries" (Lennon–McCartney–Harrison–Starr)/"Early In The Morning"/"Honey Hush" (. Although The Beatles' last recording session as a quartet had taken place on 20 August 1969, there were several other sessions involving one or more members up until April 1970.. Paul McCartney, George Harrison and Ringo Starr regrouped at EMI Studios to complete the Get Back album, as it was then called. Beatles' last shooting took place on Friday, August 22, 1969 at John and Yoko's home in Tittenhurst Park two days after their last recording session together. They also wanted to record "What Goes On" and "The One After 909" (later retitled "One After 909"). . Pepper's Lonely Hearts Club Band" (Remix 1, from Take 10), "Good Morning Good Morning" (Takes 1–8), Take 1 / Instrumental Breakdown – released with the, Production Staff: George Martin (Producer), Adrian Ibbetson (Engineer), 2nd Engineer Unknown, "A Day In The Life" (Tape Reduction Take 6 Into Take 7, SI onto take 7, Reduction of Take 7 With SI Onto Take 6, Edit Piece Takes 8–11), Hummed Last Chord / Takes 8, 9, 10 and 11 – released with the, "A Day In The Life" (Remixes 2–5, from Take 7), "Only a Northern Song" (Tape Reduction Take 3 Into Takes 10–12, SI Onto Take 12), "Only a Northern Song" (Remixes 1–3, from Take 12), "Good Morning Good Morning" (SI Onto Take 8, Tape Reduction Take 8 Into Takes 9 and 10), "Good Morning Good Morning" (Remix 1, from Take 8), "Being For The Benefit Of Mr. This solo can be heard on the Let It Be album. As of 2020 Emerick's family are involved in legal proceedings with Universal Music, current owners of the Beatles' back catalogue, as to who legally owns the tape. Pepper's Lonely Hearts Club Band (Reprise)" (takes 1 – 9), "Sgt. Lincoln (2nd engineer), "What You're Doing" (from take 19) – released on, "Honey Don't" (from take 5) – released on, "Mr. Moonlight" (remixes 1 and 2, from takes 4 and 8), "Every Little Thing" (from take 9) – released on, "Eight Days a Week" (remixes 2 and 3, from takes 13 and 15), "Mr. Moonlight" (of mono remixes 1 and 2) – released on, "Eight Days a Week" (of mono remixes 2 and 3) – released on, "Eight Days a Week" (remixes 1 and 2, from takes 13 and 15), "Eight Days a Week" (of stereo remixes 1 and 2) – released on, "I'm a Loser" (from take 8) – released on, "Baby's in Black" (from take 14) – released on, "I Feel Fine" (from take 9) – released on, "Mr. Moonlight" (of stereo remixes 1 and 2) – released on, Production staff: George Martin (producer), Norman Smith (engineer), Mike Stone (2nd engineer), Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, lead guitar, vocals), George Harrison (lead guitar), Ringo Starr (drums, tambourine), Musicians: John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, tone pedal guitar), Ringo Starr (cowbell, drums), Production staff: George Martin (producer), Norman Smith (engineer), Ken Scott and Jerry Boys (2nd engineer), Musicians: John Lennon (electric piano, rhythm guitar, vocals), Paul McCartney (bass guitar, piano, vocals), George Harrison (lead guitar, tone pedal guitar), Ringo Starr (cowbell, drums), George Martin (piano), "Ticket to Ride" (remix 1, from take 2) – released as a single; included on, "Another Girl" (from take 1) – released on, "I Need You" (from take 5) – released on, "Yes It Is" (from take 14) – released as the B-side to "Help! George was fed up with taking a back seat to the all-powerful Lennon-McCartney team.The band's "one-for-all" spirit that had always held them together had evaporated. Took You By Surprise: John and Paul's Lost Reunion. Darling" (remixes 2 – 4 from take 26), Production Staff: George Martin (Producer), Glyn Johns (Engineer), Steve Vaughan (2nd Engineer), "You Never Give Me Your Money" (takes 1–36), You Never Give Me Your Money (Take 36) - Released on “Abbey Road 50th Anniversary Super Deluxe Edition”, "You Never Give Me Your Money" (remix 1 from take 30), "You Never Give Me Your Money" (SI onto take 30), Production Staff: George Martin (Producer), Phil McDonald (Engineer), Chris Blair (2nd Engineer), "Her Majesty" (takes 1–3) (- Released on “Abbey Road 50th Anniversary Super Deluxe Edition”), "Golden Slumbers/Carry That Weight" (takes 1–15), Golden Slumbers/Carry That Weight (Takes 1-3 / Medley) - Released on “Abbey Road 50th Anniversary Super Deluxe Edition”, "Golden Slumbers/Carry That Weight" (of takes 13 and 15 called take 13), "Golden Slumbers/Carry That Weight" (SI onto take 13, tape reduction take 13 into takes 16 and 17), "Golden Slumbers/Carry That Weight" (SI onto take 17), Here Comes The Sun (Take 9) - Released on “Abbey Road 50th Anniversary Super Deluxe Edition”, Production Staff: George Martin (Producer), Phil McDonald (Engineer), John Kurlander (2nd Engineer), "Here Comes The Sun" (SI onto take 13, tape reduction take 13 into takes 14 and 15), "Here Comes The Sun" (unnumbered rough remix from take 15), Maxwell's Silver Hammer (Take 5) - Released on “Anthology 3”, Maxwell's Silver Hammer (Take 12) - Released on “Abbey Road 50th Anniversary Super Deluxe Edition”, "Maxwell's Silver Hammer" (SI onto take 21), "Maxwell's Silver Hammer" (remixes 1 – 13 from take 21), "Something" (remixes 1 – 4 from take 36), "Something" (tape reduction take 36 into take 37), "You Never Give Me Your Money" (remixes 1 – 6 from take 30), Production Staff: George Martin (Producer), Phil McDonald (Engineer), Alan Parsons (2nd Engineer), "Something" (SI onto take 36, tape reduction take 36 into takes 38 and 39), "Octopus's Garden" (remixes 1 – 7 from take 32), "Octopus's Garden" (remixes 10 – 14 from take 32), Come Together (Take 1) - Released on “Anthology 3”, Come Together (Take 5) - Released on “Abbey Road 50th Anniversary Super Deluxe Edition”, "Come Together" (of take 6 called take 9), Production Staff: George Martin (Producer), Geoff Emerick/Phil McDonald (Engineer), John Kurlander (2nd Engineer), The End (Take 3) - Released on “Abbey Road 50th Anniversary Super Deluxe Edition”, The End (Remix) - Released on “Anthology 3”, "Come and Get It" (take 1) - Released on “Anthology 3” and “Abbey Road 50th Anniversary Super Deluxe Edition”, "Sun King/Mean Mr. Mustard" (takes 1–35), Who Slapped John?, Be-Bop-A-Lula, Ain’t She Sweet (Studio Jams), Sun King/Mean Mr. Mustard (Take 20) - Released on “Abbey Road 50th Anniversary Super Deluxe Edition”, "Sun King/Mean Mr. Mustard" (SI onto take 35), "Polythene Pam/She Came in Through the Bathroom Window (takes 1–39), Polythene Pam/She Came In Through The Bathroom Window (Take 27) - Released on “Abbey Road 50th Anniversary Super Deluxe Edition”, "Polythene Pam/She Came in Through the Bathroom Window (SI onto take 39), "Polythene Pam/She Came in Through the Bathroom Window (tape reduction take 39 into take 40), "You Never Give Me Your Money" (tape reduction take 30 into takes 37 – 42), "Polythene Pam/She Came in Through the Bathroom Window (SI onto take 40), "You Never Give Me Your Money" (SI onto take 40), "You Never Give Me Your Money" (remix 1 from take 40), "Sun King/Mean Mr. Mustard" (remix 1 from take 35), "Polythene Pam/She Came in Through the Bathroom Window (remix 1 from take 40), "Golden Slumbers/Carry That Weight" (remix 1 from take 17), Editing, crossfading and tape compilation Abbey Road Medley, The Long One (Trial Mix) - Released on “Abbey Road 50th Anniversary Super Deluxe Edition”, "You Never Give Me Your Money" (SI onto 30), "Because (takes 1 – 23, SI onto take 16), Because (Take 1 / Instrumental) - Released on “Abbey Road 50th Anniversary Super Deluxe Edition”, Because (Take 16 / Accapella) - Released on “Anthology 3”, "Something" (unnumbered rough mix from take 39), "Here Comes The Sun" (unnumbered rough mix from take 15), Production Staff: George Harrison (Producer), Phil McDonald (Engineer), Alan Parsons (2nd Engineer), "You Never Give Me Your Money" (sound effects takes 1 – 5), "Maxwell's Silver Hammer" (tape reduction takes 21 into takes 22–27 with simultaneous SI), "Maxwell's Silver Hammer" (remixes 14 – 26 from take 27), Production Staff: George Martin (Producer), Tony Clark/Phil McDonald (Engineer), John Kurlander (2nd Engineer), "Come Together" (remixes 1 – 10 from take 9), "I Want You (She's So Heavy)" (SI onto unnumbered master), Production Staff: George Martin (Producer), Tony Clark (Engineer), Alan Parsons (2nd Engineer), "I Want You (She's So Heavy)" (of take 1), "I Want You (She's So Heavy)" (from take 1 into unnumbered master), "Oh! A discography of Beatles' music provides facts and behind-the-scenes secrets about every known and available Beatles recording produced from the first meeting of John Lennon and Paul McCartney in 1957 through the Rubber Soul sessions in ... The book is written in the form of a diary, documenting each day from 1962 through . The date is important (and historic), although the boys probably had no idea of its significance. Production staff: George Martin (producer), Norman Smith (engineer), "I Feel Fine" (remixes 1–4, from take 9) – remix 3 released as a single; included on, "I'll Follow the Sun" (from take 8) – released on, "She's a Woman" (remix 2, from take 6) – released as the B-side to the USA single "I Feel Fine", "Everybody's Trying to Be My Baby" (from take 1) – released on, "I Don't Want to Spoil the Party" (from take 19) – released on, "Rock and Roll Music" (from take 1) – released on, "Words of Love" (from take 3) – released on, "Baby's in Black" (remix 2, from take 14) – released on, "I'm a Loser" (remix 2, from take 8) – released on, "Kansas City/Hey-Hey-Hey-Hey!" A newly uncovered audio tape of one of the Beatles' final meetings proves that none of them planned for "Abbey Road" to be their final album. 39 Related Question Answers Found What song made the Beatles famous? 10:20 2019. [citation needed] After the contract was signed, Parlophone record producer George Martin gave the Beatles an audition at EMI Studios in London, to assess their musical quality and respective vocal talents. For Lennon, 1980 had begun as a ceaseless shopping spree in which he and wife Yoko Ono fell into the doldrums of purchasing blue-chip real estate and indulging their every whim. Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Paul, George and Ringo reunited 24 years later to record "Free as a Bird" for the much-anticipated Beatles Anthology. So if paul really re-recorded the bass and he, george and linda re-recorded the harmony vocals, john isn’t on the song let it be, is he? They are generally believed to appear on seven surviving tracks. Last year we saw the release of Eight Days a Week - the documentary covering the Fab . In Here, There and Everywhere he reveals the creative process of the band in the studio, and describes how he achieved the sounds on their most famous songs. The definitive guide for every Beatles recording sessions from 1962 to 1970. [28][31], On 11 February in Studio 2, the Beatles recorded almost the entirety of their debut album, Please Please Me, between 10 am and 10.45 pm. Winn, John C. (2003). Pepper's Lonely Hearts Club Band (Reprise)" (remixes 1 – 10 from take 9), Production Staff: N/A (Producer), Geoff Emerick (Engineer), Richard Lush (2nd Engineer), "Only A Northern Song" (SI onto take 3, SI onto take 11), "Only A Northern Song" (remixes 1 – 11 from takes 3 and 11), "Magical Mystery Tour" (tape loop of coach noise, takes 1 – 3, tape reduction take 3 into takes 4 – 8), "Magical Mystery Tour" (SI onto take 8, tape reduction take 8 into take 9), "Magical Mystery Tour" (remixes 1 – 4 from take 9), Production Staff: George Martin (Producer), Malcolm Addey (Engineer), Richard Lush (2nd Engineer), "Magical Mystery Tour" (remixes 1 – 7 from take 9), "Baby, You're A Rich Man" (takes 1 – 12, tape reduction take 12 into takes 1 and 2), "Baby, You're A Rich Man" (remix 1 from take 2), Production Staff: George Martin (Producer), Keith Grant (Engineer), Eddie Kramer (2nd Engineer), "All Together Now" (remixes 1 – 6 from take 9), "You Know My Name (Look Up The Number)" (Part 1, takes 1 – 14), Production Staff: Geoff Emerick (Producer and Engineer), Richard Lush (2nd Engineer), Production Staff: N/A (Producer), Dave Siddle (Engineer), Mike Weighell (2nd Engineer), "It's All Too Much" (tape reduction take 4 into takes 1 and 2, SI onto take 2), Production Staff: George Martin (Producer), Dave Siddle (Engineer), Mike Weighell (2nd Engineer), "You Know My Name (Look Up The Number)" (SI onto take 9, takes 20 – 24), "You Know My Name (Look Up The Number)" (part 2 takes 1 – 12, part 3 takes 1 – 4, part 4 takes 1–6, part 5 take 1), "You Know My Name (Look Up The Number)" (take 30 consisting of takes of part 1 – 5), "You Know My Name (Look Up The Number)" (remix 1 from take 30), "All You Need Is Love" (takes 1 – 33, tape reduction take 10), Production Staff: George Martin (Producer), Eddie Kramer (Engineer), George Chkiantz (2nd Engineer), "All You Need Is Love" (remix 1 from take 10), Production Staff: George Martin (Producer), Malcolm Addey (Engineer), Phil McDonald (2nd Engineer), "All You Need Is Love" (demo remix unnumbered), "All You Need Is Love" (tape reduction of take 10, takes 34–43 as SI onto take 10), "All You Need Is Love" (takes 44–47 as SI onto take 10), "All You Need Is Love" (takes 48–50, BBC rehearsal takes 1–3, takes 51–53, takes 54–58 [58 being live BBC broadcast], SI onto take 58), Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Richard Lush/Martin Benge (2nd Engineer), "All You Need Is Love" (remixes 2 – 10 from take 58), "Your Mother Should Know" (takes 1 – 8), Production Staff: George Martin (Producer), John Timperley (Engineer), John Iles (2nd Engineer), "Your Mother Should Know" (tape reduction take 8 into take 9, SI onto take 9), Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Ken Scott/Richard Lush (2nd Engineer), "I Am The Walrus" (tape reduction take 16 into take 17, SI onto take 17), "I Am The Walrus" (remixes 1 – 4 from take 17), "Blue Jay Way" (tape reduction take 1 into take 2, SI onto take 2, tape reduction take 2 into take 3, SI onto take 3), Production Staff: George Martin (Producer), Peter Vince (Engineer), Ken Scott (2nd Engineer), "Flying" (takes 1 – 6, tape reduction take 6 into take 7 and 8, SI onto take 8), "Your Mother Should Know" (Remake takes 20 – 30), Production Staff: George Martin (Producer), Ken Scott (Engineer), Jeff Jarratt (2nd Engineer), "The Fool On The Hill" (takes 1 – 3, tape reduction take 3 into take 4, SI onto take 4), "The Fool On The Hill" (remix 1 from take 4), Production Staff: George Martin (Producer), Ken Scott (Engineer), Richard Lush (2nd Engineer), "The Fool On The Hill" (tape reduction take 4 into take 5, SI onto take 5, tape reduction take 5 into take 6, SI onto take 6), Production Staff: N/A (Producer), Ken Scott (Engineer), Richard Lush (2nd Engineer), "I Am The Walrus" (tape reduction take 17 into takes 18–24 with SI onto takes 18–24), "I Am The Walrus" (tape reduction take 20 into take 25, SI onto take 25), "The Fool On The Hill" (remix 2 from take 6), "I Am The Walrus" (tape reduction of take 25 as SI onto take 17), "I Am The Walrus" (remixes 2 – 5 from take 17), "Flying" (SI onto take 8, takes 1- 5 of SI onto take 8), "I Am The Walrus" (remixes 6 – 22 from take 17), "I Am The Walrus" (of mono remixes 10 and 22 called mono remix 23), "Your Mother Should Know" (tape reduction take 9 into takes 50 – 52, SI onto take 52), "Your Mother Should Know" (remix 20 from take 52), Production Staff: George Martin (Producer), Ken Scott (Engineer), Graham Kirkby (2nd Engineer), "Your Mother Should Know" (remixes 21 – 25 from take 52), "Hello, Goodbye" (takes 1 – 14, tape reduction take 14 into takes 15 and 16), "It's All Too Much" (remixes 1 and 2 from take 2), "Blue Jay Way" (remixes 2 – 9 from take 3), "Shirley's Wild Accordion" (takes 1 – 8, tape reduction take 8 into takes 9 and 10, SI onto take 10, takes 11 – 15), "Shirley's Wild Accordion" (remixes 1, 2 and 3 from takes 10, 7 and 14 respectively), Production Staff: John Lennon (Producer), Ken Scott (Engineer), Richard Lush (2nd Engineer), "Hello, Goodbye" (SI onto take 16, tape reduction take 16 into take 17), Production Staff: George Martin (Producer), Ken Scott (Engineer), Phil McDonald (2nd Engineer), "The Fool On The Hill" (remixes 10 – 12 from take 6), "The Fool On The Hill" (of mono remix 12), "Hello, Goodbye" (tape reduction take 17 into takes 18 – 21, SI onto take 21), "All You Need Is Love" (remix 11 from take 58), "Lucy In The Sky With Diamonds" (remix 20 from take 8), "Hello, Goodbye" (tape reduction take 21 into takes 22 – 25), "The Fool On The Hill" (remixes 1 – 5 from take 6), "The Fool On The Hill" (of stereo remix 5), Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Graham Kirkby (2nd Engineer), "Hello, Goodbye" (remixes 1 -6 from take 22), Production Staff: George Martin (Producer), Geoff Emerick (Engineer), Jeff Jarratt (2nd Engineer), "Hello, Goodbye" (remixes 1 and 2 from take 22), "I Am The Walrus" (remixes 1 – 7 from take 17 and from mono remix 22), "Your Mother Should Know" (remixes 1 and 2 from take 52), "I Am The Walrus" (of stereo remixes 6 and 7), "Blue Jay Way" (remixes 1 and 2 from take 3), Production Staff: George Martin (Producer), Ken Scott (Engineer), Peter Mew (2nd Engineer), "Blue Jay Way" (remixes 20 – 28 from take 3), "Blue Jay Way" (remixes 10 – 12 from take 3), "Blue Jay Way" (of mono remix 27, of stereo remix 12), "Magical Mystery Tour" (remixes 5 and 6 from stereo remix 4 with new SI), "Magical Mystery Tour" (remixes 8 -10 from mono remix 7 with new SI), "Your Mother Should Know" (of mono remix 25), "Flying" (of edit of mono remix 6 and of edit of stereo remix 1), "Magical Mystery Tour" (of mono remix 10 and of stereo remix 6), "Blue Jay Way" (of edit of mono remix 27 and of edit of stereo remix 12), "The Fool On The Hill" (of edit of mono remix 12), "Strawberry Fields Forever" (of stereo remix 3), "I Am The Walrus" (remix 25 from take 17), "I Am The Walrus" (of stereo remixes 25 and 7), "Christmas Time (Is Here Again)" (take 1 [music], takes 1 – 10 [speech], SI of sound effects onto edit/remix), "Christmas Time (Is Here Again)" (of takes 1 [music], takes 2, 6 and 10 [speech]), "Christmas Time (Is Here Again)" of unnumbered mono remixes), "Christmas Time (Is Here Again)" (of master version), Take 6 (Tape Copy of Take 5) - released with, Musicians: Ashish Khan (sarod), Mahapurush Misra (tabla, pakavaj), Sharad Jadev and Hanuman Jadev (shanhais), Shambu-Das, Indril Bhattacharya and Shankar Ghosh (sitar), Chandra Shakher (sur-bahar), Shiv Kumar Sharmar (santorr), S.R. 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	2019 – Année nouvelle
	2019 – Année nouvelle